{"id":2659,"date":"2016-10-11T19:29:02","date_gmt":"2016-10-11T19:29:02","guid":{"rendered":"http:\/\/www.tjerkstra.com\/wordpress\/?p=2659"},"modified":"2016-10-11T19:32:15","modified_gmt":"2016-10-11T19:32:15","slug":"lady-shalott-en-marije","status":"publish","type":"post","link":"https:\/\/tjerkstra.com\/wordpress\/jereims\/lady-shalott-en-marije\/","title":{"rendered":"Lady Shalott en Marije*"},"content":{"rendered":"<table class=\"contentpaneopen\">\n<tbody>\n<tr>\n<td class=\"contentheading\" width=\"100%\"><\/td>\n<td class=\"buttonheading\" align=\"right\" width=\"100%\"><a title=\"PDF\"> <img decoding=\"async\" src=\"http:\/\/www.tjerkstra.com\/images\/M_images\/pdf_button.png\" alt=\"PDF\" name=\"image\" align=\"middle\" border=\"0\" \/> <\/a><\/td>\n<td class=\"buttonheading\" align=\"right\" width=\"100%\"><a title=\"Print\"> <img decoding=\"async\" src=\"http:\/\/www.tjerkstra.com\/images\/M_images\/printButton.png\" alt=\"Print\" name=\"image\" align=\"middle\" border=\"0\" \/> <\/a><\/td>\n<td class=\"buttonheading\" align=\"right\" width=\"100%\"><a title=\"E-mail\"> <img decoding=\"async\" src=\"http:\/\/www.tjerkstra.com\/images\/M_images\/emailButton.png\" alt=\"E-mail\" name=\"image\" align=\"middle\" border=\"0\" \/> <\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"contentpaneopen\">\n<tbody>\n<tr>\n<td colspan=\"2\" valign=\"top\"><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.tjerkstra.com\/images\/stories\/deiboek5\/tn_img796.jpg\" alt=\"Image\" width=\"258\" height=\"450\" border=\"0\" hspace=\"6\" \/><br \/>\nJohn William Waterhouse**Gevangen in de grijze toren,<br \/>\nook nog in het weefgetouw,<br \/>\nwil zij haar eigen kloppen horen:<br \/>\nbevrijd je van het spiegelbeeld.<\/p>\n<p>Alleen dit beeld is haar beleving<br \/>\nvan wat buiten is, haar god,<br \/>\neen ridder door zijn moed gedreven,<br \/>\nniet anders dan heer Lancelot.<\/p>\n<p>Bevrijd van spiegelbeeld en draden,<br \/>\nlaat ze &#8217;t altaar in de steek,<br \/>\nMaria kan haar gang wel raden:<br \/>\nzij raakt voor &#8217;t leven buiten beeld.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.tjerkstra.com\/images\/stories\/deiboek5\/tn_img799.jpg\" alt=\"Image\" width=\"450\" height=\"437\" border=\"0\" hspace=\"6\" \/><br \/>\nSandro Botticelli***<\/p>\n<p>Alhiel yn &#8217;t fleanend skrikbyld finzen,<br \/>\nh\u00e2ldt hja beide eagen ticht,<br \/>\nin ingel fleach oer himelsk grinzen,<br \/>\nnea earder hold sa&#8217;n byld har f\u00east.<\/p>\n<p>Dat byld giet oer yn de belibbing<br \/>\nfan Gods gabber Gabri\u00ebl<br \/>\nmei &#8217;t boadskip oan syn geast besibbe,<br \/>\nd\u00ear komt it yn it koart op del.<\/p>\n<p>Befrijd fan ierdske skurtetriedden<br \/>\nh\u00e2ldt hja oan it boadskip f\u00east:<br \/>\nin soan komt yn it wr\u00e2ldsk fermidden,<br \/>\nhar skurte bringt him ljocht yn byld.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" title=\"Image\" src=\"http:\/\/www.tjerkstra.com\/images\/stories\/deiboek5\/tn_img800.jpg\" alt=\"Image\" width=\"363\" height=\"450\" border=\"0\" hspace=\"6\" \/><br \/>\nRembrandt****<\/p>\n<p><em>* Jereims hat, lykas by oare skilderijen fan Waterhouse,<br \/>\nit gedicht skreaun by &#8216;De Vrouwe van Shalott&#8217;.<br \/>\nIk ha d\u00ear it gedicht oer Marije oan taheakke.<\/em><\/p>\n<p><em>** Schilderij &#8216;De Vrouwe van Shalott&#8217;<br \/>\n(1894 &#8211; 142,2 x 86,3 cm.)<\/em><\/p>\n<p><em>*** Skilderij &#8216;De Ferkundiging&#8217; fan Sandro Botticelli<\/em><\/p>\n<p><em>**** Skilderij &#8216;De oanbidding fan de hoeders&#8217; fan Rembrandt<\/em><\/p>\n<p><em>\u00a0<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>John William Waterhouse**Gevangen in de grijze toren, ook nog in het weefgetouw, wil zij haar eigen kloppen horen: bevrijd je van het spiegelbeeld. Alleen dit beeld is haar beleving van wat buiten is, haar god, een ridder door zijn moed gedreven, niet anders dan heer Lancelot. Bevrijd van spiegelbeeld en draden, laat ze &#8217;t altaar [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-2659","post","type-post","status-publish","format-standard","hentry","category-jereims"],"_links":{"self":[{"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/posts\/2659","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/comments?post=2659"}],"version-history":[{"count":2,"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/posts\/2659\/revisions"}],"predecessor-version":[{"id":2663,"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/posts\/2659\/revisions\/2663"}],"wp:attachment":[{"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/media?parent=2659"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/categories?post=2659"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tjerkstra.com\/wordpress\/wp-json\/wp\/v2\/tags?post=2659"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}